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The Head Crusher can make your guitar & amp sim extremely reactive. Extremely useful for enhancing any sound. The FreakQ 305 is a combination saturator & EQ, so you're not only boosting frequencies, you're boosting harmonics as well. Only downside is the fuzz pedals aren't fuzzy enough for me, although they still sound good.ДЄudio Assault also has the FreakQ 305 & Head Crusher 'Analog Console Inspired Saturation'. The Dirt Pony setting is really good, as well as a few others. I prefer to use this Tubescreamer to add some dirt & character to a bluesy tone (handy to have different Tubescreamer sounds). It's only $7, when it goes on sale (which is right now), and it's a solid deal. I like to use their Tubescreamer when I want a smooth sounding over drive.ДЄudio Assault has a multi-pedal dirt plugin called 'Dirt Machine' (also has an acoustic sim setting, although I've never found those to be of much use). They also have a few distortion/OD pedals.

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Mercuriall also makes a nice free chorus, sounds nice & crispy.

Quality is great, especially since it's free. Wampler has a few free pedal plugins, including a really nice sounding Univibe type effect! The others are a chorus & envelope filter. It's normally $79, so this is a solid price. To me, I prefer effects that are more tweakable, but it's also nice to have plugins that just sound good without much fuss. Imagine it being fucked up with corrective EQ and dynamics processing.Wanted to put this at the top of my list: Nembrini Audio's Analog Rack FX bundle is only $19.75 right now. When the music is right, I don't even hear how bad it's recorded (early Sly Stone? *Awesome*. I remember from the days when I played metal that most poorly sounding recordings were just poor performances of poor arrangements on poorly sounding instruments (everybody turning 'their' volumes up to the max). Mind you, recording engineers owe much of their place in the food chain to poor musicians and poor composers/arrangers. Adjust the timbres of the instruments and arrange the parts better so they don't clash, and make better use of dynamics while playing (play some notes louder, some softer, i.e. The other half is that corrective use of eq/dynamics is treating the symptom, not the cause: the frequencies overlap too much / the input levels are too loud or soft.

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I'm gonna look it up though, so thanks for the tip - I still have a sweet spot for good metal but haven't been following the scene at all.Д«ut to return to the question, which I'll just try to answer more generally: half the answer is to use (more powerful types of) filters to modify the frequency (than the ones we generally call 'EQ' - there isn't much any EQ can do that I can't do with a series of Moog filters), and doing the same with overdrive/saturation instead of compression to create harmonics. Sorry, I prefer not to run any Flash in my browser.

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listen to this track 'panem & circences' and explain me how to mix it without eq or dynamics

I don't think it's the same reality with Rock, METAL or other complex music -)

Well, it wasn't part of the question, that I should be able to make *your* favorite music with them.

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